Lectures 2011

Date Tittles Location Speaker
2011-10-24 9:00:00 The Arrangement of the String Part in Popular Music
Qian Qi (China/CCOM)
The Arrangement of the String Part in Popular Music
2011-10-24 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM Qian Qi (China/CCOM)
2011-10-24 10:40:00 Kyma and the SumOfSines Disco Club (a new book about the Kyma system)A discussion that describes how Kyma is used and taught in higher education and the new book about Kyma, “Kyma and the SumOfSines Disco Club”
Jeffrey Stolet(USA)
Kyma and the SumOfSines Disco Club (a new book about the Kyma system)A discussion that describes how Kyma is used and taught in higher education and the new book about Kyma, “Kyma and the SumOfSines Disco Club”
2011-10-24 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Jeffrey Stolet(USA)
2011-10-24 15:45:00 The singing voice and interactive computers
John Chowning(USA)
The singing voice and interactive computers
2011-10-24 15:45:00
Recital Hall, CCOM
Recital Hall, CCOM John Chowning(USA)
2011-10-25 Interactive Computer Music Performance and Augmented Violin (IRCAM): Extracting the musical expression from the bowing motion sensor
Mari Kimura (Japan)
Interactive Computer Music Performance and Augmented Violin (IRCAM): Extracting the musical expression from the bowing motion sensor
2011-10-25
Recital Hall, CCOM
Recital Hall, CCOM Mari Kimura (Japan)
2011-10-25 9:00:00 Analysis of Electronic Music
Mara Helmuth (USA)
Analysis of Electronic Music
2011-10-25 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM Mara Helmuth (USA)
2011-10-25 15:00:00 Semiconducting – Making Music After the Transistor
Nicolas Collins (USA)
Semiconducting – Making Music After the Transistor
2011-10-25 15:00:00
Recital Hall, CCOM
Recital Hall, CCOM Nicolas Collins (USA)
2011-10-25 16:40:00 Mobile Music: Creating an Omni-biographical Composition
Ge Wang (USA) & Jieun Oh (Korea)
Mobile Music: Creating an Omni-biographical Composition
2011-10-25 16:40:00
Recital Hall, CCOM
Recital Hall, CCOM Ge Wang (USA) & Jieun Oh (Korea)
2011-10-27 9:00:00 Jazz Harmony and Theory
The New Pulse Quartet
Jazz Harmony and Theory
2011-10-27 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM The New Pulse Quartet
2011-10-27 10:40:00 On the Paradigmatic Behaviour of Sound-based Music
Leigh Landy(NL)
On the Paradigmatic Behaviour of Sound-based Music
2011-10-27 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Leigh Landy(NL)
2011-10-28 9:00:00 Improvisation Basics
The New Pulse Quartet
Improvisation Basics
2011-10-28 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM The New Pulse Quartet
2011-10-28 10:40:00 Sound synthesis and perception:composing the sound itself
John Chowning (USA)
Sound synthesis and perception:composing the sound itself
2011-10-28 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM John Chowning (USA)
2011-10-29 9:00:00 Aethetics of Recording Symphonic Music in Surround Sound by NHK, Jap
KAMEKAWA TORU (Japan)
Aethetics of Recording Symphonic Music in Surround Sound by NHK, Jap
2011-10-29 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM KAMEKAWA TORU (Japan)
2011-10-29 10:40:00 History and trends of Electroacoustic music: How Are They Documented?
Marc Battier (France)
History and trends of Electroacoustic music: How Are They Documented?
2011-10-29 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Marc Battier (France)
2011-10-30 10:40:00 Production Process and Commercial Operation of American Film music
Dong Yingda (China)
Production Process and Commercial Operation of American Film music
2011-10-30 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Dong Yingda (China)