Previous Lectures Review

Date Tittles Location Speaker
2011/10/25 15:00:00 Semiconducting – Making Music After the Transistor
Nicolas Collins (USA)
Semiconducting – Making Music After the Transistor
2011/10/25 15:00:00
Recital Hall, CCOM
Recital Hall, CCOM Nicolas Collins (USA)
2011/10/28 10:40:00 Sound synthesis and perception:composing the sound itself
John Chowning (USA)
Sound synthesis and perception:composing the sound itself
2011/10/28 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM John Chowning (USA)
2011/10/30 10:40:00 Production Process and Commercial Operation of American Film music
Dong Yingda (China)
Production Process and Commercial Operation of American Film music
2011/10/30 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Dong Yingda (China)
2011/10/24 9:00:00 The Arrangement of the String Part in Popular Music
Qian Qi (China/CCOM)
The Arrangement of the String Part in Popular Music
2011/10/24 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM Qian Qi (China/CCOM)
2011/10/29 9:00:00 Aethetics of Recording Symphonic Music in Surround Sound by NHK, Jap
KAMEKAWA TORU (Japan)
Aethetics of Recording Symphonic Music in Surround Sound by NHK, Jap
2011/10/29 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM KAMEKAWA TORU (Japan)
2011/10/28 9:00:00 Improvisation Basics
The New Pulse Quartet
Improvisation Basics
2011/10/28 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM The New Pulse Quartet
2011/10/27 9:00:00 Jazz Harmony and Theory
The New Pulse Quartet
Jazz Harmony and Theory
2011/10/27 9:00:00
Recital Hall, CCOM
Recital Hall, CCOM The New Pulse Quartet
2011/10/29 10:40:00 History and trends of Electroacoustic music: How Are They Documented?
Marc Battier (France)
History and trends of Electroacoustic music: How Are They Documented?
2011/10/29 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Marc Battier (France)
2011/10/27 10:40:00 On the Paradigmatic Behaviour of Sound-based Music
Leigh Landy(NL)
On the Paradigmatic Behaviour of Sound-based Music
2011/10/27 10:40:00
Recital Hall, CCOM
Recital Hall, CCOM Leigh Landy(NL)
2010/10/28 15:40:00 Reclaiming Humanness in Computer Music -- How L2Ork Taught Me to Abandon Individuality in Favor of Wonderfully
Ivica Ico Bukvic (USA)
Reclaiming Humanness in Computer Music -- How L2Ork Taught Me to Abandon Individuality in Favor of Wonderfully
2010/10/28 15:40:00
Recital Hall of New Building 2nd Floor, CCOM
Recital Hall of New Building 2nd Floor, CCOM Ivica Ico Bukvic (USA)
2010/10/27 16:40:00 The Use of Controllers (Wacom Tablet, iPad, etc.) in Real Time Performance
Jeffrey Stolet (USA)
The Use of Controllers (Wacom Tablet, iPad, etc.) in Real Time Performance
2010/10/27 16:40:00
Recital Hall of New Building 2nd Floor, CCOM
Recital Hall of New Building 2nd Floor, CCOM Jeffrey Stolet (USA)
2010/10/27 15:20:00 The Application of the Rewire Technique
Jin Ping (China/CCOM)
The Application of the Rewire Technique
2010/10/27 15:20:00
Recital Hall, CCOM
Recital Hall, CCOM Jin Ping (China/CCOM)
2010/10/27 14:00:00 Moving Images
Wilfried Jentzsch (Germany)
Moving Images
2010/10/27 14:00:00
Recital Hall, CCOM
Recital Hall, CCOM Wilfried Jentzsch (Germany)
2010/10/27 13:00:00 Transformation of material sounds and spatialization
Ishii Hiromi (Japan)
Transformation of material sounds and spatialization
2010/10/27 13:00:00
Recital Hall, CCOM
Recital Hall, CCOM Ishii Hiromi (Japan)
2010/10/25 14:00:00 Sonification: Celestial Data and Poetic Inquiry
Neil Leonard (USA)
Sonification: Celestial Data and Poetic Inquiry
2010/10/25 14:00:00
Recital Hall, CCOM
Recital Hall, CCOM Neil Leonard (USA)